Alla Giovanni Migliaras Oljemålningar
ID Bilder  Oljemålningar Från A till Z     Information
92073  
Giovanni Migliara, Frati in cucina
  		Frati in cucina 1827(1827) Medium oil on canvas Dimensions Height: 59 cm (23.2 in). Width: 44.3 cm (17.4 in). cyf
30678  
Giovanni Migliara, Interior of Basilica of San Lorenzo
  		Interior of Basilica of San Lorenzo mk68 Oil on canvas Milan,Milan Museum 1822 Italy
92072  
Giovanni Migliara, Interno del monastero di Altacomba
  		Interno del monastero di Altacomba 1833(1833) Medium oil on canvas cyf
87379  
Giovanni Migliara, Veduta dei dintorni di Lecco
  		Veduta dei dintorni di Lecco 1815(1815) and 1820(1820) Medium Oil on canvas cyf
88279  
Giovanni Migliara, Veduta di Palazzo Ducale a Venezia
  		Veduta di Palazzo Ducale a Venezia 1815(1815) Medium Oil on canvas cyf
91099  
Giovanni Migliara, Veduta di Palazzo Ducale a Venezia
  		Veduta di Palazzo Ducale a Venezia 1815(1815) Medium oil on canvas Dimensions Height: 34.7 cm (13.7 in). Width: 45 cm (17.7 in). cyf
87533  
Giovanni Migliara, Veduta di piazza del Duomo in Milano
  		Veduta di piazza del Duomo in Milano Date 1819(1819) Medium Oil on canvas Dimensions Height: 47 cm (18.5 in). Width: 61 cm (24 in). cjr
Giovanni Migliara
Italian 1785-1837 He began his career as a scene painter with Gaspare Galiari (1761-1823) in Milan, working at the Teatro Carcano in 1804 and at La Scala from 1805 to 1809. Owing to illness, after 1810 he turned to small-scale works in watercolour or oil using various supports, including silk and ivory. At this date Milanese painting was dominated by Andrea Appiani and Luigi Sabatelli, both leading Neo-classical artists. However, Migliara remained aloof from this dominant movement and instead drew on medieval and historical subjects with Romantic undertones. His precise, jewel-like technique and choice of subject-matter found favour with aristocratic patrons in Milan. His figures are generally stilted and burdened by their costumes, though the crowd in Sacking of Minister Prina's House (1814; Milan, Gal. A. Mod.) is depicted with unusual fluency. In 1822 Migliara was appointed Professor of Perspective at the Accademia di Belle Arti, Milan, and in 1833 he was nominated painter to the court of Charles-Albert, King of Sardinia (reg 1831-49). More typical of his historical scenes is Entrance to the Castle of Plessis de la Tour (Turin, Gal. Civ. A. Mod.), which was exhibited at the Brera in 1833. He also produced many topographically precise pictures of church interiors in which he combined his training as a scene painter with his knowledge of intaglio techniques.



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